Compression and expansion is controll by keys enter in the “scale” parameter. Notice how the curve that controls the scalar of the object compresses (at the beginning) and expands (in the middle) and then compresses again at the end. Anticipation using a small action to suggest that another is about to begin is the basis of the anticipation technique; this serves to “charge” the scene with tension a bit like when a boxer withdraws his fist in the opposite direction before striking. Simplifying: if an object moves to the right. With the anticipation technique you will have to create a small movement to the left (opposite direction) to suggest the movement.
A combination of anticipation and squash
Load the movement by anticipating email List it: if the object moves to the right. The anticipation foresees a small movement in the opposite direction. A combination of anticipation and squash and strech in after effects. Follow through in after effects the idea that the movement of an object ends abruptly without consequences on the quality of the animation is the basis of the follow through technique ; just as in the case of anticipation. Where the animator suggests the imminent unfolding of an action. In the follow through the animator makes sure that the movement does not end suddenly.
When there are multiple elements in a scene
Thus adding secondary movements EW Leads (such as a small bounce in the case of a fall) an example of a combination of anticipation (initial movement) squash and stretch and follow through (final secondary movement) overlapping generally. When there are multiple elements in a scene. The movements of the latter are superimpos but never coincident. That is. There is a slight advance or delay between the keys of the objects. Which makes the entire scene more cr ible: this slight discrepancy is the basis of the overlapping technique.
